Saturday 7 November 2009

The devil makes work for idle hands...

There are times when I wish I led a simpler life, when I wish I wasn't creatively inclined with a bundle of interests...  There wouldn't be so much warring for my attention, I wouldn't constantly feel like I was failing to do something in a scramble to get other things finished...

But I guess life would then be dull!

Right at this very moment it is 6:59am and I'm sitting on a battered sofa in my living room, feeling all my thoughts spinning around inside my head like a hurricane; full of leaves, autumn mists, past, future and present.  The cat is trying to climb chair backs and staring at me like I'm sitting in the wrong place and maybe I am.  I don't have to work today - I should be in bed...

But there's things to do; props to be made, raffle tickets to fold, train times to check, taxi numbers to find, emails to be written, editing to be done, scripts to be drafted, washing up filling the sink and a brand new laminator to be played with.  All of which could be ample distractions from each other and writing this and doing the things that really are important or essential...  But I feel like I'm at the brain train station, watching high speed thoughts rush by and not sure quite which route to take.  There's decisions to be made and I'm just not sure I'm the right person to be making them...

Enough rambling...

Those of you who know me know that I'm about to take part in a Rockband charity event on Sunday 15th November - I and seven other gamers are doing the endless setlist from Rockband 2, with no breaks, no pauses and no fails and an additional setlist to bring it up to a round hundred, to raise money for The Samantha Dickson Brain Tumour Trust, the UK's leading brain tumour research and support charity.  Even switching out with each other to make sure we don't get motion sickness, we'll all be doing at least four hours play each, in public, including singing...

To find out more about this event or to sponsor us visit www.justgiving.com/Cheesemint

More about Cheesemint next post, right now I'm off to write to do lists or maybe go back to bed.  Do 'to do' lists count as writing practice?...

Wednesday 21 October 2009

Owned...

My house is full of stuff.  Or rather, our house, mine, the husband's and the cat's.  It's an Aladdin's cave of colour and texture, a tapestry created by years lived the same place and a multitude of things bought.  There was a short story/novella I read a few years ago which equated a character's living space with the inside of an oyster shell, being lined over the years with things considered beautiful.  A thickening of the walls by stuff, slowly making the space within smaller.  I think it was The Pigeon by Patrick Suskind.

When we first bought our house, before we moved in, every room echoed.  It sounded like a big, lonely, soul-less space.  It's strange to think that all our furniture, clothes, DVDs, games, music, books, comics and clutter have taken that echo away.  It's made our house sound like it has a soul.

But Tyler Durden doesn't like stuff, he said that the things you own, end up owning you.  The things we own certainly restrict our choices; a mortgage does necessitate a full time job rather than a career as a drifting surfer - not a dream that I have by the way.  Our recreational time is shaped by the things you choose to own.  On days off I have an abundance of choices of which book I read, which DVD I watch, which game I play, which of the computers I use to write on - although to be fair, there are two which I don't think could be used as anything other than doorstops.

But there are things that I have that have little function and some of them are there because they are beautiful and some are there because they are a memory made solid.   They are things given or found, bought and in a few instances stolen, that embody a place or person, usually gone or too far away to be part of daily life.  They are objects that make my heart ache or my memory sharpen when I look at them.  They are memorabilia from the life that has shaped me.

If something were to happen to them, I would mourn their loss, but life would go on.  But I can't deny that they show me who I am.

They own me.

I'm not sure if that's a good thing or a bad one.

I have an idea about writing a series of entries detailing these reflections of my soul, the memories that they evoke, with a photograph.  I'm not sure if I want to do this so that I can understand their hold over me and decide if its healthy; or if it's in case I lose them, so I have a memory recorded.

I guess that's what a lot of writing is - remembered memories.  Emotions and thoughts scrawled across paper and screens so that we can remember, even when time and tides have erased all but a lingering whisper of faces and places.

A way to remember who we are and share that with others.

If we are owned, maybe it's because we choose to be and we choose to remember who we are even when the world that shaped us has gone.

Wednesday 30 September 2009

Minutiae

Somebody once said that the Devil was in the details and as writers we're always looking for the little things that concrete the reality of our writing.  But how far can you go?  Where's the fine line between appropriate attention to detail and OCD?

I'm sitting in my usual coffee house, in my usual seat, by the window on the first floor, overlooking the market.  It feels like the first day of Autumn; the sky is a flat mist grey and the awnings of the market look subdued, like off-season deck chairs.  The people walking below have slumped shoulders, heavy bags, yawns splitting their faces wide open.

This all seems like appropriate attention, I'm not dwelling on a list of every bloom sold on the flower stall, or describing everything that the man sitting on the bench below is wearing...  Although I like the way he stares off into his thoughts as he struggles to zip up his jacket, a cigarette dangling between his fingers.

But the things that mesmerise me, that make me pause; the way the milk blossoms and billows through the tea when I first pour it in, like a fast growing coral, pale against a mineral brown sea...  The way one lone white feather flutters on the pavement in the breeze of everyone's footsteps...  The way that the woman on the phone behind me has perfect hair except for a couple of loose strands, standing out from her head in a half circle of gold that glints in the light...

I feel I teeter on the brink of over-description constantly, because of the tiny things that catch my eye - shiny, silver details clamouring for the magpie mind.  It would be so easy to fall into that cloud world of heat and motion in that grande Earl Grey, or to sit by the market and watch the passage of that feather as it attempts to touch the passers-by with its simple beauty.

The film of the plastic bag in "American Beauty" captivates me, I see the beauty in the disposable, the shape of the wind in that dancing plastic.

But do we get lost in those moments?  Does it take us away from ourselves for a brief respite, a reminder of the gloriousness of the overlooked, the minutiae of our lives?  Or do we lose connection with each other whilst we are absorbed in the details?

I don't know, but I love the way my tea blossoms and the dance of that feather and I wish there were more opportunity to write about these things without losing track of the bigger picture.

Sunday 26 July 2009

With a little help from my friends...

Today has been a productive day.

With a little help from my regular Sunday night Rock Band crew, who have been waiting to read the novel I've been working on for-ever, I was placed in the situation where I had to provide them with some of it to read, by today, under pain of mockery or Chinese burns.

I am pleased to say that I handed over the prologue to Matt and Adam this evening with a list of music that kept me company whilst I wrote, or that fit with the tale...

Here's the list, expect the words next week...

The Last Man - Clint Mansell

Darkest Days - Stabbing Westward

Waiting For The Night - Depeche Mode

Crawling - Linkin Park

Disposable Teens - Marilyn Manson

Chinese Burn - Curve

Burn - Nine Inch Nails

Greedly Fly - Bush

The Noose - Perfect Circle

The Kill - 30 Seconds To Mars

Prayers For Rain - The Cure

Something I Can Never Have - Nine Inch Nails

A Beautiful Lie - 30 Seconds To Mars

I Put A Spell On You - Marilyn Manson

Ich Will - Rammstein

Get Your Gun - Marilyn Manson

Bodies - Drowning Pool

From Yesterday - 30 Seconds To Mars

Pet - Perfect Circle

Famous Last Words - My Chemical Romance

Broken Bones - Howling Bells

Blood - Editors

Low Happening - Howling Bells

Teardrop - Massive Attack

Haunted - Evanescence

Haunting Me - Stabbing Westward

Every Day Is Exactly The Same - Nine Inch Nails

The Trick Is To Keep Breathing - Garbage

Thursday 16 July 2009

Diving into unfamiliar waters...

Today's post is a poem.  This is rare for me, I don't generally write poetry, I find it incredibly hard when every word has so much weight and importance, when one wrong adjective can buckle the structure and bring all that emotion and thought crashing down.  (Although some writers I know say it should be the same case with prose, but if you're telling a story, shouldn't  the pace, flow and cadence come naturally?  You can over-think some times, I can certainly over-write and I kinda think life's too short...)

But I love the way poetry works, the way an entire piece can be a Polaroid of emotion, a parable, a metaphor and a riddle of meanings.  Poetry allows you to cloak your intent in deep, dark waters, so that on first reading it can seem like a summer's day but it has this edge, a promise of a storm, an unnoticed broken rung on a ladder, something big moving in the darkness of the lake...  Poetry is like stealth-prose, usually smaller, sleeker and full of surprises.  Good poetry anyway.

I don't often write poetry, but I find that sometimes its size and nature is ideal for emotional writing.  It can allow you to write about a subject without feeling the burn of the fire, without diving so deep that you suddenly find you can't breathe...

This is quite raw, I've not worked on it much, but the moment it captures feels true...

The Empty Chair

This chair;
worn and old but comfortable,
the wooden skin polished and varnish thin;
though I sit in it,
it waits for you.

Outside, the blue sky chases clouds,
bird's flight casts shadows.
The wind changes and I know
you're out chasing feathers in it;
following the seasons
from marsh to wood,
from sea to snow.
I can see your glasses pushed up,
high on your head, above binoculars,
Your hair ruffled like crows.
Your stillness and silence
making you part of the earth.
I can hear your key in the door,
The dog barking and your shout,
"Get out you stupid dog!"
The waxed jacket slides from your shoulders,
with a scent of trees, pepper and tobacco.
The chair creaks as you sit and reach for the paper.

Thursday 2 July 2009

We are the all singing, all dancing, crap of the world...

I'm sitting in the usual seat, the usual place and feeling very aware of the fact that I haven't written or blogged for a while.  Has the novelty worn off?  Am I in a creative wasteland?  Did someone steal my typing fingers while I was asleep?

I'm relieved to report that none of the above are appropriate, it's just been a couple of long weeks and there's a couple more ahead.

There are times when I want to write everything down, record these days in a way more reliable than memory.  Snag the moments in a butterfly net of words and keep them trapped forever, so that it's there to experience even after I'm gone.  No matter how good or bad I feel I write, there's probably no one else who will write exactly like me, who will live this exact life, who will see through these green-grey eyes...

Then there are days when I want to just get through to the end, ideally intact, with low body counts and no trips to the medical centre.

Writing is largely about communicating, about making a connection through shared experiences and emotions.  About letting even one other person know that you've felt the same, whether it be elation, delerium, ennui or boredom.  It's also about entertainment, watching created worlds spiral into Hell or greatness with an intimate audience, others who will grin and say, “Yeah, I was there when Highgrave burned...  That was a night to remember!”

But sometimes you don't want to remember, you don't want to share.  It's too tedious or painful for one person to endure, let alone to share it around.  Sometimes the cut goes too deep and those are the wounds that you keep to yourself, quietly picking at them in the darkness of 3am when you can't sleep.

There are times when it may seem that I'm not writing.  Sometimes it's because life has legitimately gotten in the way.  Sometimes it's because I'm being lazy – no surprise there, it's the whole reason I started this blog.

Sometimes it's not that I'm not writing, it's just that it's nothing I want to share.

By the way, for those who missed it, this blog entry was titled after Tyler Durden from Chuck Palahniuk's Fight Club.

Tuesday 16 June 2009

Wrapped in plastic...

Yesterday on the train returning from London, I saw a long white bundle lying in the ditch next to the train lines.  It looked like it was wrapped in twisted plastic or fabric, or that the material had bound itself tighter around the matter inside as it rolled down the weed thick slope.  The train was moving fast and I was tired, so it could have just been a row of white plastic bags from weeding the line, or illegally dumped rubbish...

But for a while there, I thought I was looking at Laura Palmer...

My heart rate picked up and my mouth went dry.  I craned my head to look back at the fast receding bundle glowing unbelievably bright in the pre-storm sunshine, my brain tripping over itself with thoughts of the emergency brake and policemen.

As the train turned the corner, a hill budding between me and that bundle, inside my mind - inside that vast book lined library of everything I've ever learnt and forgotten, every image I've ever seen and every experience I've ever had – the logical Twistedwitch snorted and turned the page of her newspaper, staring over the top of her glasses at the Twistedwitch of Imagination as she climbs on a bookcase to stare nervously out of the window.

“You know it's just rubbish bags...”

“What?”

“It's not a body.”

“You don't know that!  It could be a murdered prostitute or a love triangle gone wrong!”

“Do they ever go right?”

“What?”

Closing her paper, Logic sighs and stares at Imagination until she climbs down from her wobbling perch.  Imagination walks backwards down the library towards Logic, her eyes on that window, her feet coming closer to tangling with every reluctant step.

“It wasn't a body, it was too visible a place to leave it and forensic science is too good to chance a murder victim being found.”

“Maybe...”

Logic opens her paper again and goes back to reading the psychological dissemination of the dead poet.  Without looking she nods towards one of the other windows.

“Go look out of the window, we're going past a wood.”

Imagination runs through the clouds of glowing dust motes and scrambles up the books piled against the wall to press her face against the window.

“Oh my God!  There's something moving beneath the trees!  It's wolves!  No, it's the wild hunt!  Wait...it's zombies!”

Logic shakes her head and for one moment feels sorry for the lone deer that raised it's head at the wrong time.  She rustles the paper and turns the page.  Behind her the Twistedwitch of Creativity steps out from the shadows, a heavy book in hand.  Her eyes dart feverishly from Logic to Imagination and the hand holding the book raises.  It's a heavy book and it should give Imagination a few hours of unfettered wildness.

This is how my mind works.  This is why I never get anything done.  Damn my over-thinking mind.

Tuesday 9 June 2009

In between days...

When I woke up this morning the light was grey with rain, the room softened by it, lulled by the patter of drops echoing in the double glazed window sills.  In bed, wrapped in the duvet, snuggled by husband and cat, this morning felt so familiar and I tried to snag the drifting trail of this sensation.  The cool, pale air, the warmth, the sense of waking naturally without an alarm...

I still can't place it, whether it just feels like a thousand other autumn or late-spring days, full of breezes, dampness and cloud coloured light.  Maybe it just reminds me of itself, my brain mis-firing and creating a circuit straight into memory...

What-ever it was, it was delicate contentment.  A moment of peace before thought, when you truly were only in-the-moment, in that space between sleep and coherence.

The weather outside is much the same now, the clouds bringing the roof of the world closer, the colour of a mourning dove's wing.  It's raining still, small drops shaking the spring green of the trees outside the window.  Enough to dapple the ground but too little to make the self-conscious brolly-holders feel justified.

I long to be beneath the duvet, chasing after that moment of familiarity, the darkness streaked with grey light, one foot out of the side of the bed feeling the coolness of the room outside the duvet cocoon.

That in between-ness calls to me, calls to all of us; the twilight between day and night, the dim empty halls between rooms, the space between life and death, the darkness beneath the trees on a bright summer day...

What if you were neither one thing or another?  What if you were always between states, places, time?  What if you were as intangible as smoke, the pale grey of a mourning dove's wings...

Maybe you are?

Maybe I am too.

Tuesday 26 May 2009

Misplaced mis-shape...

"Your house was very small,
with wood-chip on the wall..."
Pulp, Disco 2000

I'm sitting at my parent's dinner table writing, the radio's off, the back door's open, one of the two cats is asleep on a chair beside me.  All I can hear is the clock ticking, the birds fighting over the feeder's in the back garden and the wind in the bamboo that grows right outside the back door.  There's coffee at my elbow and not a soul around.

It sounds perfect, doesn't it?  The ideal solitude for writing...  Instead, I'm distracted by the wealth of history around me, the largely unaltered shape of this familiar landscape.  The changes are all sub-terra, felt rather than seen, making what was once my home something like the button-eyed not-home of Neil Gaimain's Coraline.

Maybe it's just weird being here alone, it's a rare occurrence.  Before I left home, I would never have been here on my own and at a loss of what to do with myself.  The music would be loud, I'd be moving my entire bedroom around again or reading, writing or drawing...

But I'm no longer that person and despite being offered this precious quiet time in which to write, I find myself out of place, like something moved from the mantle-piece, leaving behind a ring of dust where I once was.

This place makes me look at who I was, the past that has shaped me, the generations which have raised me, the places that cup parts of my heart.

Maybe it's just the time of year, maybe it's just being here alone with the other dust ringed holes, maybe I should just go out into the sunshine and take a breath and remember to look forward.

And maybe I should just stop bitching and actually do some work...

Saturday 23 May 2009

Thoughts of summer...

Summer is finally here and I know this because I'm sitting in Caffe Nero having my first Iced Mocha of the year.  I've managed to grab my favourite table, first floor, front next to the windows, overlooking the market and the town hall.  This is great for three reasons;

one – natural light.  Although I'm a shadow hugger by nature, I can appreciate the sunlight with the best of them, mostly from indoors or beneath the dappled shade of a tree.

two – I can see the town hall clock perfectly from here, which is great on days when I'm cafe writing before work and I've forgotten my watch i.e. today.

three – with the sun shining on the squad of market stalls, the striped roofs look amazingly cheery and make me feel nostalgic for deck chairs, buckets and spades and those ever so slightly salty/crunchy picnics on the beach...

I have so many mixed emotions about the summer, whilst I enjoy the weather, albeit from inside buildings or thick with sun tan lotion, it makes me miss the long summers off.  That was school's biggest deception, the 6-8 week break.  I don't think you ever really comprehend how lovely it is until you've lost it.

I also miss Stoke Beach.  From my youngest age I can remember spending my summers with my grandparents in Devon and spending a lot of time at Stoke Beach which is where my grandfather had a caravan.  Stoke Beach was a Co-op owned private caravan park full of ramshackle vehicles that probably could no longer be moved, set within the most beautiful bay.  Originally a farm where tents had been pitched for child evacuees during the second world war, so many of the children loved the place that it became a private summer 'resort', populated with local holidayers, evacuees and the generations which followed.  Many of the friends I made there were the children of the friends my dad had made when he was young.  There was such a sense of community that the kids would spend the day rampaging around the beaches, in the woods and stumbling through each others caravans, all the parents utterly content that they were safe and that everyone kept an eye on each other.

Apart from the friends, community and camraderie, the thing that make Stoke Beach magical was the location itself.  The caravan site was small and set on stepped layers on the hill which sloped down into the bay, at either end there were sheep meadows full of bitter stubby vegetation that clung to the sandy soil.  A wood hugged most of the site, offering ample shade for tree climbing, fort making, knife throwing, child kidnap and nettle diving.  The bay the site was set in was about a mile across, holding within it a series of smaller bays, each perfect for different things; crabbing, diving, surfing, swimming, rock pool hunting, sun bathing and exploration.  One bay, on the far end of the larger bay, the beach directly below where my grandad's caravan clung on the very edge of the cliff, was full of eroded cliffs that had formed stone passages, twisted and organic, perfect for small bodies to slither through at low tide.

One of the most memorable things about Stoke Beach was the abandoned church.  Set in the middle of the caravan park, surrounded by a field of meadow-sweet, grave stones and trees, the church was slowly becoming part of the woodland.  I don't remember it ever having a roof apart from in one shaded corner, and wild flowers grew between the inscribed flagstones on the floor.  The place felt so serene, so much part of the land that was reclaiming it – I often wonder if this was why I always thought of nature being spiritual, if this was why I became Pagan/Wiccan.

Anyway, time for work...

Monday 18 May 2009

Strange flesh and lights...

This last week I have been a stranger in a strange land and the territory has been my own flesh... Funny how not being well makes you feel like a passenger in a meat vehicle. You know how to drive the damn thing, but have no idea of how it really works and how to fix it beyond basic maintenance.

Talking of the freakiness of flesh - here's a short story I finished this time last year. I don't tend to use first person very much, I prefer the part of omnipotent God-like third person, but first person felt right for this piece. Brought you closer to the experience, to that dark, dusty room, the slice of light cutting through the air like a sliver of another reality...

The Unlit Lung

Death didn’t exist before the summer I turned fourteen.  That long parched drag of a season my dog, Murdock, would lay panting in the shade of our crabapple tree, his pink tongue dripping until he lay in a puddle.  That summer was so hot the blackberries cooked on the bushes and everywhere smelt of preserve.
That was the summer I met death.  I learned that sometimes, even if you were nothing alike, you could share your father’s fears, the same genetic fate.  That beneath the organic wonder of life there were things beyond the blood, shadows waiting for the light of day to reveal them.
The summer passed.  Each sun-burnt, wild day blurring into the next until my birthday came and went.  I felt no different, as immortal as ever, but deceived myself with thoughts of being more grown-up.   In the last year I’d cut class a few times, smoked my first cigarette and pretended to like it, and almost kissed a girl.
When the phone rang late one evening, not long after my birthday, I ignored it and lay on the floor of the curtained living room watching TV and picking at the scab that covered my left knee.  I heard my mother’s flip-flops slapping the floorboards the length of the corridor and when she answered the phone her muffled voice echoed, making the hall sound like a cave.  The phone trilled as she hung up and she headed back to the kitchen, her tread slower.
We found out what was going on at dinner, after she’d snapped at my father for reading the paper at the table and moaned when I secretly fed Murdock my greens.  She sighed deeply, letting the phone call and stress dissipate across the table in a cloud of stale breath.  She looked wearily at my father.
“Your grandfather got his help to call earlier.”
He dropped his knife.  It bounced on the floor before he bent to retrieve it and my mother rolled her eyes as he wiped it clean on his trousers.
“What did he want?”
She turned to look at me.
 “He wants to meet Paul.  Tomorrow.”


I had never met my great-grandfather and my parents rarely spoke of him.  When they did, as they did that night, it was in hushed tones behind closed doors, usually when they thought I was asleep.   From the few words I’d heard through the walls or filtered through keyless locks, I could guess he was unusual.  He rarely left the house, was sick in some way and there may have been an operation.   What I knew for certain, I could tell from my father’s voice; my great-grandfather was terrifying.
The two hour drive from our house to great-grandfather’s was like sitting in an oven as it was pushed towards the edge of a volcano.  My curiosity fast turned into nerves and by the time we pulled up outside the detached house, I had been infected with the fear that filled the car.
My father turned off the engine and we sat in silence, listening to the metal ticking as it cooled.  The decaying house was large, the paint peeling and the windows yellow.   It was set back from the street in a garden of weeds and the houses on either side seemed to be leaning away from it.  I looked away in time to catch my parents staring at each other, they may have been silently mouthing things.  They turned towards me and my mother cleared her throat.
“Paul.  Your great-grandfather is a strange man, a strange sick man.   But he’s still your great-grandfather.  Be polite, call him ‘Sir’ and what-ever you do, don’t stare at the lung on the mantelpiece.”

I don’t remember much about getting from the car to the door of my great-grandfather’s study, but I think my mouth hung open, forgotten as I tried to decipher her words.   Was it a riddle, a joke?  I kept thinking of the bag of pink and grey butcher scraps the neighbor sometimes gave us for Murdock.  She called them lights and my mother said that it meant lungs.  My father always went pale as they slopped into the dog’s bowl.  All I could think of was a table lamp shaped like a lung, glowing pink and illuminating the wall with the shadows of veins.
The door seemed big.  It was dark wood, made darker still by the blue shadows that filled the house.  I remember staring at the door handle, thinking that it looked like brass plated finger bones.  It suddenly felt like winter and a chill crawled across my skin as I raised my hand to knock.
“Come in.”
His voice hissed and crackled like a broken radio, rumbling like the end of an earthquake.  How he knew I stood there I didn’t know.  In retrospect, he had summoned me and had ears that could hear as well as any other man.  But I was infected with my father’s tension and the idea of organ lamps.  Old men who could see through doors didn’t seem impossible.
I slid my fingers onto the door handle and felt the cold of the metal sink into my bones.  The door opened silently, but I think I heard the creak of a coffin opening all the same.   The chill of the room rushed to embrace me, the shadows that seemed piled up against the door, spilling out into the corridor.   I took a deep breath before stepping into the room and almost gagged on the smell.
It was like something had died or was in the slow process of dying, but to save time had already started to decay.  It took an effort of will to not cover my face with my hands, I somehow managed to remember that that would seem rude.  But I couldn’t stop the crinkle of my nose or the curl of my mouth.  Sometimes the body just does what it must.
The room was darkness divided into two, the halves separated by a sliver of stained daylight falling through a gap in the heavy drapes.  Dust spiraled in that slice of light, catching my eye as it turned and I tried to look away, to see beyond the shadows.  I stood still as I watched the shape of the room emerge, becoming aware of the chaos piled around me.  The walls were lined with bookcases, crammed with leather bindings and jumbled with random shapes.  There were cascades of newspapers and books spilling from the shelves and onto the floor, almost as if this clutter were oozing from the shelves, literary blood from dusty wounds.  There was an empty path cutting across the floor, darker in the center where feet had polished the dust away in their journey from the door to the desk.
I hadn’t noticed him before, the bundle reclining in an over stuffed chair behind the over filled desk.  But my eyes found him just as I became aware of the sound of his breath.  My great-grandfather’s breath sounded like salt being rubbed into a wound.
He was thin beneath the layers of clothing, the bones of his cheeks cutting their way out of his face from the inside.  It was hard to tell in the light, but his skin looked yellowed and worn thin like the paper of the books surrounding him.  White hair powdered his mottled scalp, pale stubble salted his chin and all I could think of at the moment before our eyes met, was that hair kept growing after death.
But the glitter of his eyes drew me.  Even as the grey skin sagged around his eyes, beneath the deep skull like sockets, his eyes sparkled with life, wet in this dry tomb where everything was turning to dust.  He stared at me with those black glossy eyes and I felt as though my soul were being weighed against a feather.
This was my great-grandfather.  An old man who was alive against all evidence except for those eyes.  A man who still breathed despite the agony that sound made me share.   A man who I suddenly felt sorry for.
He must have seen it in my eyes, the pity of youth, in a body still growing towards its peak.   I think if he could have spared the energy he would have smiled.  Instead, he channeled his will into lifting his arm, that shaking stick of cloth-covered bone.  As that arm defied gravity, his clawed hand unfolded into the pointing finger that led me to the lung.
The lung on the mantelpiece.
It stood in a specimen jar on the shelf above a fireplace full of books.   It was clear of dust, like a trophy or a perfectly preserved memory.   The lung floated in an cloudy liquid that failed to obscure the dark mass at its base, a growth with tendrils emerging from it, almost like limbs.
What happened next may have been a shift in the light, the reflected movement of the old man’s arm or a trick of my over stimulated mind, even now I couldn’t say.
The lung moved.
It was like a twitch of movement in that dark matter.  Like something not quite dead sighing from the wait.
I ran.   I bolted for the door and ran through the winter chill of the house to escape, feeling the panic overwhelm me and pour out in a high pitched scream.   Below my terror, below my own noise, below the scramble of my parents to intercept me as I dashed through the front door and out into the sunlight, I could hear his laughter.  Like metal grating against glass, that sound chased me from the house and a mile down the road, where I collapsed on a parched lawn in front of the most normal house I could find.   My parents found me sobbing there twenty minutes later.

That day has never left me, for that was the day I met death and he tricked me.  That was the day I stopped being a child and shared the fear of my father.
Which brings me here.
I’ve been sitting in my car outside the hospital for an hour, listening to the tick of metal and remembering every moment of that day.   Thirty years on and I can still recall my dad’s expression as he turned off the ignition of the car.  I can’t help but feel that he knew.  Think that his fear was not only of a crazy old man who lived only to scare people but that he sensed the genetic destiny of that lung.
It was ten years after that July day that I learnt my grandfather had died of lung cancer.
It was this morning that I learnt of that shadow in my father.
But the worse thing of all, beyond the organic fate befalling our male line.  The thing that wakes me at three in the morning screaming like a fourteen year old boy, covered in sweat.
I think the old man, my great-grandfather, is still alive.
I think the lung is still in a jar on a mantelpiece waiting for death.
I keep wondering if the death it’s waiting for is mine.

Monday 11 May 2009

Teleportation and time travel are a memory away...

Brushing my teeth first thing in the morning, one hand resting against the cold porcelain of the sink, I realise the windows have been ajar all night.  I turn my face towards the textured glass as a breeze slips through, full of fresh growth and pooled rain.

I can hear the wind shake the trees outside, seagulls wail and keen as they fly over and I'm no longer here or now - I'm curled in bed, in my grandmother's house in Devon, awake early and eager to pull the curtains aside to see what kind of day the wind has brought, but too nervous to move from the camp bed and over-filled quilt.  If it's a good day, with a blue sky, it's a day at the coast; if it's wet, we may go shopping and then spend the day watching my Nan fall asleep in front of the TV, her hand petting one of the dogs on automatic pilot.

Beyond the curtains I know the seagulls wheel above the neat staggered gardens clinging to the steep hill, flying up from the creek at the base of the hill, towards the sea.  The coast is close enough that you can smell the salt in the mud of the creek and crabs scuttle from the light when you tip the stones over with your foot.

The memories flood out from that seagull song, like crabs from a rock, too many to catch, so much history and detail of that place and all the places it led to.  All from the brush of that rain scented breeze and the screaming cry on wing.

All this, from one scent, one sound.  So much life and emotion encapsulated in a trail of memories that would need bread-crumbs to track...

I wish I could give my characters this without breaking the magic...

Time is an abstract concept...

I haven't blogged for a while, I know, my bad, but in my defence I've been stressed and now I'm sick. It's not swine flu, it's just a cold...

...except for at three in the morning when I can't sleep and the fear creeps in with the draft under the door, that I'm
really sick and worse, I'm mortal.

This is something that hits me in different ways. Sometimes it makes me want to write
now and write more. Get it done just in case... All those unfinished projects cluttering up my brain, all the big ideas, all the small delicate short stories that hide whimpering from the light... Other times, when faced with my mortality, I kinda go "meh". You can only do what you do and get done what you can in the time you have... It doesn't make me burn with creative juices but it reminds me that all the shit in my head, is at least my shit. It'll die with me. And some of it should.

We all have secrets, we all have stories, things to write. But there's some that should be written and shared, some that shouldn't and some that can't. I guess I should stop being maudlin and get to work on the ones I can write and the ones I want you to read.

I just discovered that
maudlin has it's origins in the ecclesiastical Latin for Magdalena, deriving from allusion to pictures of Mary Magdalen weeping. How cool is that...  There's a story in every word...

I'll be back later, with less whining and more words.

Tuesday 28 April 2009

What if there's no twelve step program?

I think it's time that I admitted that I'm addicted to buying how-to-write books...

Shameful and disappointing I know, but I find honesty is the best policy and the first step to recovery is to admit that there's a problem.

I blame Natalie Goldberg.  Her book Writing Down the Bones, (ISBN 9781590302613), was one of the first books on writing that I bought as a student, way, way back when my hair was it's natural colour.  I love her style, the influence Buddhism has on her writing and advice, the way the sand of the desert around her home creeps into the pages, her location inspiring both her and her readers.  It's a book I return to frequently for encouragement and writing exercise prompts and no other author of said books has equalled.

But that doesn't stop me from buying them...

My top five books on writing:
1.  Writing Down the Bones - Natalie Goldberg
2.  Wild Mind - Natalie Goldberg
3.  A Writer's Book of Days - Judy Reeves
4.  Bird by Bird - Anne Lamott
5.  The Creative Writing Coursebook - Andrew Motion and Julia Bell

As you can tell by the list, I tend to prefer the books that try to get you impassioned, inspired and writing often.  I find the books that try to improve your writing can be cold, formulaic and uninspiring - they don't make me want to write, let alone write better.

The downside of this addiction: sometimes I read books on writing as displacement from writing...  I keep telling myself reading is important, but I know in my heart that an essential part of writing is...writing.

So, I guess I should do some.