Tuesday, 26 May 2009

Misplaced mis-shape...

"Your house was very small,
with wood-chip on the wall..."
Pulp, Disco 2000

I'm sitting at my parent's dinner table writing, the radio's off, the back door's open, one of the two cats is asleep on a chair beside me.  All I can hear is the clock ticking, the birds fighting over the feeder's in the back garden and the wind in the bamboo that grows right outside the back door.  There's coffee at my elbow and not a soul around.

It sounds perfect, doesn't it?  The ideal solitude for writing...  Instead, I'm distracted by the wealth of history around me, the largely unaltered shape of this familiar landscape.  The changes are all sub-terra, felt rather than seen, making what was once my home something like the button-eyed not-home of Neil Gaimain's Coraline.

Maybe it's just weird being here alone, it's a rare occurrence.  Before I left home, I would never have been here on my own and at a loss of what to do with myself.  The music would be loud, I'd be moving my entire bedroom around again or reading, writing or drawing...

But I'm no longer that person and despite being offered this precious quiet time in which to write, I find myself out of place, like something moved from the mantle-piece, leaving behind a ring of dust where I once was.

This place makes me look at who I was, the past that has shaped me, the generations which have raised me, the places that cup parts of my heart.

Maybe it's just the time of year, maybe it's just being here alone with the other dust ringed holes, maybe I should just go out into the sunshine and take a breath and remember to look forward.

And maybe I should just stop bitching and actually do some work...

Saturday, 23 May 2009

Thoughts of summer...

Summer is finally here and I know this because I'm sitting in Caffe Nero having my first Iced Mocha of the year.  I've managed to grab my favourite table, first floor, front next to the windows, overlooking the market and the town hall.  This is great for three reasons;

one – natural light.  Although I'm a shadow hugger by nature, I can appreciate the sunlight with the best of them, mostly from indoors or beneath the dappled shade of a tree.

two – I can see the town hall clock perfectly from here, which is great on days when I'm cafe writing before work and I've forgotten my watch i.e. today.

three – with the sun shining on the squad of market stalls, the striped roofs look amazingly cheery and make me feel nostalgic for deck chairs, buckets and spades and those ever so slightly salty/crunchy picnics on the beach...

I have so many mixed emotions about the summer, whilst I enjoy the weather, albeit from inside buildings or thick with sun tan lotion, it makes me miss the long summers off.  That was school's biggest deception, the 6-8 week break.  I don't think you ever really comprehend how lovely it is until you've lost it.

I also miss Stoke Beach.  From my youngest age I can remember spending my summers with my grandparents in Devon and spending a lot of time at Stoke Beach which is where my grandfather had a caravan.  Stoke Beach was a Co-op owned private caravan park full of ramshackle vehicles that probably could no longer be moved, set within the most beautiful bay.  Originally a farm where tents had been pitched for child evacuees during the second world war, so many of the children loved the place that it became a private summer 'resort', populated with local holidayers, evacuees and the generations which followed.  Many of the friends I made there were the children of the friends my dad had made when he was young.  There was such a sense of community that the kids would spend the day rampaging around the beaches, in the woods and stumbling through each others caravans, all the parents utterly content that they were safe and that everyone kept an eye on each other.

Apart from the friends, community and camraderie, the thing that make Stoke Beach magical was the location itself.  The caravan site was small and set on stepped layers on the hill which sloped down into the bay, at either end there were sheep meadows full of bitter stubby vegetation that clung to the sandy soil.  A wood hugged most of the site, offering ample shade for tree climbing, fort making, knife throwing, child kidnap and nettle diving.  The bay the site was set in was about a mile across, holding within it a series of smaller bays, each perfect for different things; crabbing, diving, surfing, swimming, rock pool hunting, sun bathing and exploration.  One bay, on the far end of the larger bay, the beach directly below where my grandad's caravan clung on the very edge of the cliff, was full of eroded cliffs that had formed stone passages, twisted and organic, perfect for small bodies to slither through at low tide.

One of the most memorable things about Stoke Beach was the abandoned church.  Set in the middle of the caravan park, surrounded by a field of meadow-sweet, grave stones and trees, the church was slowly becoming part of the woodland.  I don't remember it ever having a roof apart from in one shaded corner, and wild flowers grew between the inscribed flagstones on the floor.  The place felt so serene, so much part of the land that was reclaiming it – I often wonder if this was why I always thought of nature being spiritual, if this was why I became Pagan/Wiccan.

Anyway, time for work...

Monday, 18 May 2009

Strange flesh and lights...

This last week I have been a stranger in a strange land and the territory has been my own flesh... Funny how not being well makes you feel like a passenger in a meat vehicle. You know how to drive the damn thing, but have no idea of how it really works and how to fix it beyond basic maintenance.

Talking of the freakiness of flesh - here's a short story I finished this time last year. I don't tend to use first person very much, I prefer the part of omnipotent God-like third person, but first person felt right for this piece. Brought you closer to the experience, to that dark, dusty room, the slice of light cutting through the air like a sliver of another reality...

The Unlit Lung

Death didn’t exist before the summer I turned fourteen.  That long parched drag of a season my dog, Murdock, would lay panting in the shade of our crabapple tree, his pink tongue dripping until he lay in a puddle.  That summer was so hot the blackberries cooked on the bushes and everywhere smelt of preserve.
That was the summer I met death.  I learned that sometimes, even if you were nothing alike, you could share your father’s fears, the same genetic fate.  That beneath the organic wonder of life there were things beyond the blood, shadows waiting for the light of day to reveal them.
The summer passed.  Each sun-burnt, wild day blurring into the next until my birthday came and went.  I felt no different, as immortal as ever, but deceived myself with thoughts of being more grown-up.   In the last year I’d cut class a few times, smoked my first cigarette and pretended to like it, and almost kissed a girl.
When the phone rang late one evening, not long after my birthday, I ignored it and lay on the floor of the curtained living room watching TV and picking at the scab that covered my left knee.  I heard my mother’s flip-flops slapping the floorboards the length of the corridor and when she answered the phone her muffled voice echoed, making the hall sound like a cave.  The phone trilled as she hung up and she headed back to the kitchen, her tread slower.
We found out what was going on at dinner, after she’d snapped at my father for reading the paper at the table and moaned when I secretly fed Murdock my greens.  She sighed deeply, letting the phone call and stress dissipate across the table in a cloud of stale breath.  She looked wearily at my father.
“Your grandfather got his help to call earlier.”
He dropped his knife.  It bounced on the floor before he bent to retrieve it and my mother rolled her eyes as he wiped it clean on his trousers.
“What did he want?”
She turned to look at me.
 “He wants to meet Paul.  Tomorrow.”


I had never met my great-grandfather and my parents rarely spoke of him.  When they did, as they did that night, it was in hushed tones behind closed doors, usually when they thought I was asleep.   From the few words I’d heard through the walls or filtered through keyless locks, I could guess he was unusual.  He rarely left the house, was sick in some way and there may have been an operation.   What I knew for certain, I could tell from my father’s voice; my great-grandfather was terrifying.
The two hour drive from our house to great-grandfather’s was like sitting in an oven as it was pushed towards the edge of a volcano.  My curiosity fast turned into nerves and by the time we pulled up outside the detached house, I had been infected with the fear that filled the car.
My father turned off the engine and we sat in silence, listening to the metal ticking as it cooled.  The decaying house was large, the paint peeling and the windows yellow.   It was set back from the street in a garden of weeds and the houses on either side seemed to be leaning away from it.  I looked away in time to catch my parents staring at each other, they may have been silently mouthing things.  They turned towards me and my mother cleared her throat.
“Paul.  Your great-grandfather is a strange man, a strange sick man.   But he’s still your great-grandfather.  Be polite, call him ‘Sir’ and what-ever you do, don’t stare at the lung on the mantelpiece.”

I don’t remember much about getting from the car to the door of my great-grandfather’s study, but I think my mouth hung open, forgotten as I tried to decipher her words.   Was it a riddle, a joke?  I kept thinking of the bag of pink and grey butcher scraps the neighbor sometimes gave us for Murdock.  She called them lights and my mother said that it meant lungs.  My father always went pale as they slopped into the dog’s bowl.  All I could think of was a table lamp shaped like a lung, glowing pink and illuminating the wall with the shadows of veins.
The door seemed big.  It was dark wood, made darker still by the blue shadows that filled the house.  I remember staring at the door handle, thinking that it looked like brass plated finger bones.  It suddenly felt like winter and a chill crawled across my skin as I raised my hand to knock.
“Come in.”
His voice hissed and crackled like a broken radio, rumbling like the end of an earthquake.  How he knew I stood there I didn’t know.  In retrospect, he had summoned me and had ears that could hear as well as any other man.  But I was infected with my father’s tension and the idea of organ lamps.  Old men who could see through doors didn’t seem impossible.
I slid my fingers onto the door handle and felt the cold of the metal sink into my bones.  The door opened silently, but I think I heard the creak of a coffin opening all the same.   The chill of the room rushed to embrace me, the shadows that seemed piled up against the door, spilling out into the corridor.   I took a deep breath before stepping into the room and almost gagged on the smell.
It was like something had died or was in the slow process of dying, but to save time had already started to decay.  It took an effort of will to not cover my face with my hands, I somehow managed to remember that that would seem rude.  But I couldn’t stop the crinkle of my nose or the curl of my mouth.  Sometimes the body just does what it must.
The room was darkness divided into two, the halves separated by a sliver of stained daylight falling through a gap in the heavy drapes.  Dust spiraled in that slice of light, catching my eye as it turned and I tried to look away, to see beyond the shadows.  I stood still as I watched the shape of the room emerge, becoming aware of the chaos piled around me.  The walls were lined with bookcases, crammed with leather bindings and jumbled with random shapes.  There were cascades of newspapers and books spilling from the shelves and onto the floor, almost as if this clutter were oozing from the shelves, literary blood from dusty wounds.  There was an empty path cutting across the floor, darker in the center where feet had polished the dust away in their journey from the door to the desk.
I hadn’t noticed him before, the bundle reclining in an over stuffed chair behind the over filled desk.  But my eyes found him just as I became aware of the sound of his breath.  My great-grandfather’s breath sounded like salt being rubbed into a wound.
He was thin beneath the layers of clothing, the bones of his cheeks cutting their way out of his face from the inside.  It was hard to tell in the light, but his skin looked yellowed and worn thin like the paper of the books surrounding him.  White hair powdered his mottled scalp, pale stubble salted his chin and all I could think of at the moment before our eyes met, was that hair kept growing after death.
But the glitter of his eyes drew me.  Even as the grey skin sagged around his eyes, beneath the deep skull like sockets, his eyes sparkled with life, wet in this dry tomb where everything was turning to dust.  He stared at me with those black glossy eyes and I felt as though my soul were being weighed against a feather.
This was my great-grandfather.  An old man who was alive against all evidence except for those eyes.  A man who still breathed despite the agony that sound made me share.   A man who I suddenly felt sorry for.
He must have seen it in my eyes, the pity of youth, in a body still growing towards its peak.   I think if he could have spared the energy he would have smiled.  Instead, he channeled his will into lifting his arm, that shaking stick of cloth-covered bone.  As that arm defied gravity, his clawed hand unfolded into the pointing finger that led me to the lung.
The lung on the mantelpiece.
It stood in a specimen jar on the shelf above a fireplace full of books.   It was clear of dust, like a trophy or a perfectly preserved memory.   The lung floated in an cloudy liquid that failed to obscure the dark mass at its base, a growth with tendrils emerging from it, almost like limbs.
What happened next may have been a shift in the light, the reflected movement of the old man’s arm or a trick of my over stimulated mind, even now I couldn’t say.
The lung moved.
It was like a twitch of movement in that dark matter.  Like something not quite dead sighing from the wait.
I ran.   I bolted for the door and ran through the winter chill of the house to escape, feeling the panic overwhelm me and pour out in a high pitched scream.   Below my terror, below my own noise, below the scramble of my parents to intercept me as I dashed through the front door and out into the sunlight, I could hear his laughter.  Like metal grating against glass, that sound chased me from the house and a mile down the road, where I collapsed on a parched lawn in front of the most normal house I could find.   My parents found me sobbing there twenty minutes later.

That day has never left me, for that was the day I met death and he tricked me.  That was the day I stopped being a child and shared the fear of my father.
Which brings me here.
I’ve been sitting in my car outside the hospital for an hour, listening to the tick of metal and remembering every moment of that day.   Thirty years on and I can still recall my dad’s expression as he turned off the ignition of the car.  I can’t help but feel that he knew.  Think that his fear was not only of a crazy old man who lived only to scare people but that he sensed the genetic destiny of that lung.
It was ten years after that July day that I learnt my grandfather had died of lung cancer.
It was this morning that I learnt of that shadow in my father.
But the worse thing of all, beyond the organic fate befalling our male line.  The thing that wakes me at three in the morning screaming like a fourteen year old boy, covered in sweat.
I think the old man, my great-grandfather, is still alive.
I think the lung is still in a jar on a mantelpiece waiting for death.
I keep wondering if the death it’s waiting for is mine.

Monday, 11 May 2009

Teleportation and time travel are a memory away...

Brushing my teeth first thing in the morning, one hand resting against the cold porcelain of the sink, I realise the windows have been ajar all night.  I turn my face towards the textured glass as a breeze slips through, full of fresh growth and pooled rain.

I can hear the wind shake the trees outside, seagulls wail and keen as they fly over and I'm no longer here or now - I'm curled in bed, in my grandmother's house in Devon, awake early and eager to pull the curtains aside to see what kind of day the wind has brought, but too nervous to move from the camp bed and over-filled quilt.  If it's a good day, with a blue sky, it's a day at the coast; if it's wet, we may go shopping and then spend the day watching my Nan fall asleep in front of the TV, her hand petting one of the dogs on automatic pilot.

Beyond the curtains I know the seagulls wheel above the neat staggered gardens clinging to the steep hill, flying up from the creek at the base of the hill, towards the sea.  The coast is close enough that you can smell the salt in the mud of the creek and crabs scuttle from the light when you tip the stones over with your foot.

The memories flood out from that seagull song, like crabs from a rock, too many to catch, so much history and detail of that place and all the places it led to.  All from the brush of that rain scented breeze and the screaming cry on wing.

All this, from one scent, one sound.  So much life and emotion encapsulated in a trail of memories that would need bread-crumbs to track...

I wish I could give my characters this without breaking the magic...

Time is an abstract concept...

I haven't blogged for a while, I know, my bad, but in my defence I've been stressed and now I'm sick. It's not swine flu, it's just a cold...

...except for at three in the morning when I can't sleep and the fear creeps in with the draft under the door, that I'm
really sick and worse, I'm mortal.

This is something that hits me in different ways. Sometimes it makes me want to write
now and write more. Get it done just in case... All those unfinished projects cluttering up my brain, all the big ideas, all the small delicate short stories that hide whimpering from the light... Other times, when faced with my mortality, I kinda go "meh". You can only do what you do and get done what you can in the time you have... It doesn't make me burn with creative juices but it reminds me that all the shit in my head, is at least my shit. It'll die with me. And some of it should.

We all have secrets, we all have stories, things to write. But there's some that should be written and shared, some that shouldn't and some that can't. I guess I should stop being maudlin and get to work on the ones I can write and the ones I want you to read.

I just discovered that
maudlin has it's origins in the ecclesiastical Latin for Magdalena, deriving from allusion to pictures of Mary Magdalen weeping. How cool is that...  There's a story in every word...

I'll be back later, with less whining and more words.